Modernist 20th Century /07 December 2003

161

Harry Bertoia

study for wire form
USA, c. 1949
welded and plastic coated steel
29 w × 10 d × 29 h in (74 × 25 × 74 cm)

Bertoia worked with the Eames' in California in the late 1940s to develop their wire form chairs. His involvement led to further experiments in wire furniture forms, and he produced several prototypes before settling on a sturdy and feasible design that was to become the Diamond chair. The design proved to be a boon for Bertoia, and his success allowed him to produce his art. Bertoia never designed more furniture than the small series he produced for Knoll in 1950, but the design has become a classic and established Bertoia in the canon of modern furniture masters. This prototype form was handmade by Bertoia, and shows how his first experiments with wire utilized fewer wires than the final production version.

estimate: $10,000–15,000

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FREE EVALUATION

Harry Bertoia 1915–1978

Harry Bertoia was a true Renaissance man well versed in the language of art and design. Born in San Lorenzo, Italy in 1915, Bertoia relocated to the United States at the age of fifteen and enrolled at Cass Technical High School in Detroit to study hand-made jewelry. In 1937, Bertoia was awarded a scholarship to attend the Cranbrook Academy of Art in Bloomfield Hills, Michigan where he studied under the direction of Maija Grotell and Walter Gropius. Bertoia was drawn to the mostly empty metal shop, and after two years in the program, Bertoia was invited to head the department.

At Cranbrook, Bertoia was introduced to a number of designers whose names would become synonymous with mid-century modern design. Here he met Eero Saarinen, with whom he would collaborate on numerous architectural projects, and Charles and Ray Eames with whom, for a short period during the war, he would work for at the Molded Plywood Division of Evans Products in California. In 1950, Bertoia moved east to Pennsylvania to open his own studio and to work with Florence Knoll designing chairs. Bertoia designed five chairs out of wire that would become icons of the period, all of them popular and all still in production today.

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Auction Results Harry Bertoia

HARRY BERTOIA, untitled (Multi-Plane Construction) | Wright20.com

Harry Bertoia

untitled (Multi-Plane Construction)
estimate: $500,000–700,000
result: $420,000

HARRY BERTOIA, untitled (Sonambient) | Wright20.com

Harry Bertoia

untitled (Sonambient)
estimate: $200,000–300,000
result: $408,000

HARRY BERTOIA, untitled (Hanging Hemisphere) | Wright20.com

Harry Bertoia

untitled (Hanging Hemisphere)
estimate: $200,000–300,000
result: $384,000

HARRY BERTOIA, untitled (Monumental Sonambient) from the Standard Oil Commission | Wright20.com

Harry Bertoia

untitled (Monumental Sonambient) from the Standard Oil Commission
estimate: $400,000–600,000
result: $374,500

HARRY BERTOIA, untitled (Dandelion) | Wright20.com

Harry Bertoia

untitled (Dandelion)
estimate: $200,000–300,000
result: $348,000

HARRY BERTOIA, Untitled (Monumental Sonambient) from the Standard Oil Commission | Wright20.com

Harry Bertoia

Untitled (Monumental Sonambient) from the Standard Oil Commission
estimate: $300,000–500,000
result: $341,000

HARRY BERTOIA, Untitled (Sonambient) | Wright20.com

Harry Bertoia

Untitled (Sonambient)
estimate: $200,000–300,000
result: $341,000

HARRY BERTOIA, untitled (Dandelion) | Wright20.com

Harry Bertoia

untitled (Dandelion)
estimate: $70,000–90,000
result: $300,000

HARRY BERTOIA, untitled (Dandelion) | Wright20.com

Harry Bertoia

untitled (Dandelion)
estimate: $150,000–200,000
result: $284,500

HARRY BERTOIA, untitled (Dandelion) | Wright20.com

Harry Bertoia

untitled (Dandelion)
estimate: $100,000–150,000
result: $278,500

HARRY BERTOIA, untitled (Monumental Sonambient) from the Standard Oil Commission | Wright20.com

Harry Bertoia

untitled (Monumental Sonambient) from the Standard Oil Commission
estimate: $300,000–500,000
result: $278,500

HARRY BERTOIA, untitled (Sonambient) | Wright20.com

Harry Bertoia

untitled (Sonambient)
estimate: $300,000–400,000
result: $276,000

HARRY BERTOIA, Important and Monumental sculptures from Stemmons Towers, Dallas | Wright20.com

Harry Bertoia

Important and Monumental sculptures from Stemmons Towers, Dallas
estimate: $300,000–400,000
result: $263,000

HARRY BERTOIA, Untitled (Sonambient) | Wright20.com

Harry Bertoia

Untitled (Sonambient)
estimate: $100,000–150,000
result: $227,000

HARRY BERTOIA, untitled (monumental Sonambient) | Wright20.com

Harry Bertoia

untitled (monumental Sonambient)
estimate: $200,000–300,000
result: $221,000

HARRY BERTOIA, untitled (Tree Form) | Wright20.com

Harry Bertoia

untitled (Tree Form)
estimate: $70,000–90,000
result: $192,000

HARRY BERTOIA, untitled (Dandelion) | Wright20.com

Harry Bertoia

untitled (Dandelion)
estimate: $200,000–300,000
result: $192,000

HARRY BERTOIA, untitled (Dandelion) | Wright20.com

Harry Bertoia

untitled (Dandelion)
estimate: $150,000–200,000
result: $185,000

HARRY BERTOIA, untitled (Sonambient) | Wright20.com

Harry Bertoia

untitled (Sonambient)
estimate: $180,000–220,000
result: $180,000

HARRY BERTOIA, Untitled (Bush Form) | Wright20.com

Harry Bertoia

Untitled (Bush Form)
estimate: $50,000–70,000
result: $161,000

HARRY BERTOIA, untitled (Sonambient) | Wright20.com

Harry Bertoia

untitled (Sonambient)
estimate: $100,000–150,000
result: $158,500

HARRY BERTOIA, untitled (Welded Form) | Wright20.com

Harry Bertoia

untitled (Welded Form)
estimate: $150,000–200,000
result: $156,000

HARRY BERTOIA, Untitled (Sonambient) | Wright20.com

Harry Bertoia

Untitled (Sonambient)
estimate: $150,000–200,000
result: $149,000

HARRY BERTOIA, untitled (monumental Bush form) | Wright20.com

Harry Bertoia

untitled (monumental Bush form)
estimate: $100,000–150,000
result: $146,500

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