Circle of Influence
This collection of works by Frank Lloyd Wright and Chicago School architects is unprecedented in the market and is focused on a broad spectrum of chair designs by Wright. Panel-back chairs from the 1908 Avery Coonley Playhouse are offered alongside a seminal chair from the Trier house of 1956, showing variations on a theme of vertical backrest design employed by Wright throughout his career. Sculptural innovation through the use of plywood in the Usonian period is presented in numerous examples ranging from tables and chairs to lighting. Radical departures in the use of metal in design are found in Wright’s use of copper and cast aluminum seating from Price Tower, and earlier precedents of cast iron by Adler and Sullivan contrast with reductivist metalwork by Purcell and Elmslie. This seminal collection of works by Chicago School architects invites study and comparison among a broad range of work from this important period.
During his seventy year career as an architect, Frank Lloyd Wright created more than 1,100 designs, half of which were realized and a large portion of which came about later in his life. Wright was born in Richland Center, Wisconsin in 1867. He enrolled at the University of Wisconsin in 1885 to study civil engineering, completing only two years of the program. After working for Joseph Silsbee on the construction of the Unity Chapel in Oak Park, Illinois Wright decided to pursue a career in architecture and he moved to Chicago where he began an apprenticeship at the famed architectural firm Adler and Sullivan, working directly with Louis Sullivan until 1893.
After parting ways, Wright moved to Oak Park. Working from his home studio, he developed a system of design developed from grid units and rooted in an appreciation of natural materials that would come to be known as the Prairie School of Architecture and would change the landscape of American design forever. Wright devoted himself to teaching and writing during the 1920s and 1930s. 1935 marked the beginning of an immense surge of creativity and productivity as he began work on his most celebrated residential design, Fallingwater. In the 1940s and 1950s Wright focused on his Usonian designs that reflected his belief in democratic architecture, offering middle-class residential options. In 1943, Wright took on his most demanding commission, the Solomon R. Guggenheim Museum in New York. The museum, which would open its doors six months after his death in 1959, would be called his most significant work.
Auction Results Frank Lloyd Wright
