Twentieth Century Music H.H. Stuckenschmidt, McGraw-Hill, 1970. 249 pages, Softcover.

A Grammar of the Film Raymond Spottiswoode, University of California Press, 1950. 328 pages, Softcover.

The Shadow and Its Shadow: Surrealist Writings on Cinema Paul Hammond, British Film Institute, 1978. 133 pages, Softcover.

Cukor and Co.: The Films of George Cukor and His Collaborators Gary Carey, Museum of Modern Art, New York, 1971. 167 pages, Softcover.

The Apu Trilogy Satyajit Ray, Seagull Books, Calcutta, 1985. 142 pages, Softcover.

A Concise History of Avant-Garde Music: From Debussy to Boulez Paul Griffith, Oxford University Press, 1978. 216 pages, Softcover.

Focus on Godard Royal S. Brown, Prentice-Hall, 1972. 190 pages, Softcover.

Bernardo Bertolucci Robert Phillip Kolker, Oxford University Press, New York, 1985. 258 pages, Hardcover with dustjacket.

Focus On Howard Hawks Joseph McBride, Prentice-Hall, 1972. 178 pages, Hardcover.

Jules and Jim Francois Truffaut, Lorrimer Publishing, London, 1970. 104 pages, Hardcover with dustjacket.

Focus on The Horror Film Roy Huss and T.J. Ross, Prentice-Hall, 1972. 186 pages, Softcover.

Focus on the Birth of a Nation Fred Silva, Prentice-Hall, 1971. 184 pages, Hardcover with dustjacket.

Focus on The Seventh Seal Birgitta Steene, Prentice-Hall, 1972. 182 pages, Hardcover with dustjacket.

Focus on D.W. Griffith Harry M. Geduld, Prentice-Hall, 1971. 182 pages, Hardcover with dustjacket.

Focus on Rashomon Donal S. Richie, Prentice-Hall, 1972. 185 pages, Hardcover with dustjacket.

Corinth Films Vol. 1, No. 1 Corinth Films, Corinth Films, New York, 1977. Softcover.

Fritz Lang in America Peter Bogdanovich, Praeger, 1969. 143 pages, Hardcover.

La Strada Federico Fellini, Peter Bondanella, and Manuela Gieri, Rutgers University Press, 1987. 270 pages, Hardcover.

Groucho: The Life and Times of Julius Henry Marx Stefan Kanfer, Alfred A. Knopf, New York, 2000. 446 pages, Softcover.

Morocco Shanghai Express Josef Von Sternberg, Simon and Schuster, New York, 1973. 136 pages, Softcover.

Wild Strawberries Philip and Kersti French, British Film Institute, 1995. 78 pages, Softcover.

The Blue Angel: A Film by Josef von Sternberg Josef von Sternberg, Simon and Schuster, 1968. 111 pages, Softcover.

Modern Film Scripts: The Trial, a Film by Orson Welles Orson Welles and Nicholas Fry, Simon and Schuster, New York, 1970. 176 pages, Softcover.

Pier Paolo Pasolini Paul Willemen, British Film Institute, 1977. 88 pages, Softcover.

Intrepid Laughter: Preston Sturges and the Movies Andrew Dickos, The Scarecrow Press, 1985. 167 pages, Hardcover.

Emotion Pictures: Reflections on the Cinema Wim Wenders, Faber and Faber, 1989. 147 pages, Hardcover with dustjacket.

Ingmar Bergman: The Cinema as Mistress Philip Mosley, Marion Boyars, 1981. 192 pages, Hardcover with dustjacket.

Bergman: Persona and Shame Ingmar Bergman and Keith Bradfield, Grossman Publishers, New York, 1972. 191 pages, Softcover.

Face to Face: A Film by Ingmar Bergman Ingmar Bergman and Alan Blair, Pantheon, 1976. 118 pages, Hardcover with dustjacket.

Something Like an Autobiography Akira Kurosawa, Alfred A. Knopf, New York, 1982. 205 pages, Hardcover with dustjacket.

Persona and Shame Ingmar Bergman, Calder and Boyars, London, 1972. 191 pages, Hardcover with dustjacket.

Ingmar Bergman Directs John Simno, Harcourt Brace Jovanovich, Inc., New York, 1972. 315 pages, Hardcover with dustjacket.

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