Sometimes I’m successful. Sometimes I fail. I’m not showing off. My work is about human things.
The Visionary Eye of Allan Stone
Founded in 1960 by art dealer Allan Stone (1932–2006), the New York gallery known today as Allan Stone Projects has been admired for over half a century. Celebrated for its eclectic approach and early advocacy of pivotal artists of the 20th century, Allan Stone Gallery was a leading authority on Abstract Expressionism, the New York dealer for Wayne Thiebaud for over forty years, and showed the works of Willem de Kooning, Franz Kline, Arshile Gorky, Joseph Cornell, John Graham and John Chamberlain. Stone also promoted the work of a younger generation of artists that were in conversation with other artists in his collection, working in the mediums of assemblage, collage and new modes of abstraction. In addition to modern masterworks and contemporary art, Allan Stone also collected and exhibited international folk art, Americana and important decorative arts and industrial design.
Wayne Thiebaud b. 1920
Wayne Theibaud is an American painter and printmaker, often associated with Pop Art of the 1960s, but his life-long attention to form and light places him more in line with Modern painters such as Pierre Bonnard, Claude Monet and Giorgio Morandi, albeit with a concern for the contemporary, everyday American landscape. Thiebaud is famous for his nostalgic and deadpan depictions of pastries, sandwiches, shoes and candy, but he also painted northern California landscapes, the San Francisco cityscape and portraits with a similar concern for the play of light, interrelation of forms and rich, vibrant colors.
Thiebaud was born in Mesa, Arizona in 1920 and grew up in Long Beach, California. From an early age he was influenced by cartoon animation, citing Krazy Kat as an inspiration, and he studied commercial art in high school. He spent a summer as an apprentice at Walt Disney Studios and went on to work as a sign painter, cartoonist and illustrator from 1939 to 1949. Thiebaud began his formal arts education in 1949 and graduated with a master’s degree in art history from Sacramento State College in 1953. After school, he moved to New York for a short time but did not feel connected to the anxiety and intellectualism that Abstract Expressionism was rooted in, though he did find kinship with the gestural, impasto work of Willem de Kooning and Franz Kline. He returned to California and began teaching painting at University of California, Davis in 1960, where he most enjoyed teaching novices, “raw beginners,” and stressing the importance of hard work, repetition, close-seeing and practicing the formal aspects of painting and drawing.
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