An Architect at Home

Works from the Collection of Donald Wrobleski

The exterior of Wrobleski's home. Photo by Juergen Nogai from Julius Shulman: Chicago Midcentury Modernism book by Gary Gand courtesy of Chicago Bauhaus & Beyond

Luckily for us all, Donald Wrobleski is happy to share his story. I first met the Chicago-based architect through a phone call while he was seeking advice on selling, and how to go about the overwhelming, stifling act of moving from the Bannockburn home which he designed and where he resided for the past sixty years. His home was like a number of architect-owned mid-century interiors I had visited, in that once a furnishing or work of art had had been carefully placed, it rarely moved.  A living time capsule, but not one that is necessarily destined for obsolescence. Rather, a finely preserved moment in time. 

The sunken living room flanked by floor to ceiling glass. Photo by Juergen Nogai from Julius Shulman: Chicago Midcentury Modernism book by Gary Gand courtesy of Chicago Bauhaus & Beyond
The furniture is utilitarian and comfortable and represents a superb period reflection of good design to live within the walls of good design.

Wrobleski designed his home in 1960 when he was just 20 years old. A former student of A. James Speyer at IIT, he created the residence to be elevated and in harmony with 1.75 acre lot located just outside of Chicago. Approaching the residence, you are greeted by a compliment of glass front to back within the fully see-through enclosure. Wrobleski’s home blossoms, trees appear to extend upward inside the house. The lines and the harmony of the interior naturally reflect the wooded surroundings. A short flight of stairs takes you to the entrance and once inside, you are naturally directed to the sunken living room nestled between the main glazing walls. There you are surrounded by an entirely global menu of design: Kjaerholm, Mies, Mackintosh, McCobb, Wegner and Aulenti for starters. The spread continues throughout the house. The furniture is utilitarian and comfortable and represents a superb period reflection of good design to live within the walls of good design. 

The exterior of Wrobleski's home illustrating an outdoor seating area. The sunken living room flanked by floor to ceiling glass. Photo by Juergen Nogai from Julius Shulman: Chicago Midcentury Modernism book by Gary Gand courtesy of Chicago Bauhaus & Beyond

Wrobleski’s deft ability to capture sunlight and warmth in his home is illustrated thoughtfully by Julius Shulman’s photography in Julius Shulman: Chicago Mid-Century Modernism by Gary Gand (2010). While I wish there was enough Wrobleski output to fill an entire monograph, we are proud to offer these lots for Don in our American Design sale.

Peter Jefferson

A classic design is something that every time you look at it, you accept it as it is and you see no way of improving it.

Warren Platner

Warren Platner 1919–2006

Warren Platner (1919—2006) was an American architect and interior designer whose seminal furniture collection produced by Knoll International remains an icon of 1960s modernism today. In 1941, Platner graduated with a degree in architecture from Cornell and soon went to work for the renowned Raymond Loewy and I.M. Pei between 1945—1950 later earning the Rome Prize in architecture in 1955.

While working in the office of Eero Saarinen during the mid-1960s, he released a collection of chairs, ottomans, and tables that has been in continuous production by Knoll ever since. The collection is both elegant and understated consisting of steel wire furniture that rests on a sculptural base of nickel-plated steel rods. The following year he opened his firm Warren Platner Associates later designing the highly regarded interiors of the Ford Foundation headquarters in 1967, Georg Jensen Design Center in 1968, and the glamorous Windows on the World restaurant of the World Trade Center, New York in 1976.

Auction Results Warren Platner