Wright champions the work of modernist architect and furniture designer, Marcel Breuer, one of the most revolutionary and important figures of the 20th Century.
5 Things to Know About Marcel Breuer
He was a student of the Bauhaus school in Weimar Germany and would later teach there.
His iconic Wassily armchair, made of tubular steel, was inspired by his bicycle.
He taught at Harvard introducing International Style to American students for the first time.
From 1938 to 1941, he and Walter Gropius had an architectural practice in Cambridge, Massachusetts.
The Whitney Museum in New York, IBM's La Gaude Laboratory and the UNESCO headquarters in Paris are among his most important commissions.
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Wright presents The Rufus Stillman Cottage an exceptional design and living experience. The expertly restored and historically significant home offers the rare opportunity to own a home that espouses the simple and streamlined ideas of one of the 20th century's most influential architects.
I am as much interested in the smallest detail as in the whole structure.
Marcel Breuer 1902–1981
Marcel Breuer’s parents encouraged their children to take interest in culture and the arts from an early age, and when the Hungarian born designer turned eighteen he secured a scholarship to the prestigious Fine Arts Academy in Vienna. Uninterested in the lengthy discussions about aesthetic tradition and eager for a more practical education, he took a job in an architectural firm. When a friend told him about a new art school in Weimar Germany called the Bauhaus, Breuer promptly enrolled. Under the guidance of director Walter Gropius, Breuer became one of six apprentices to join the furniture workshop, producing his earliest known design in 1921, the African Chair. Breuer graduated in 1924 and after a brief time in Paris, returned to the school as the head of the of the carpentry worship in 1925. Inspired by his first bicycle, Breuer began working on designs for a chair made of tubular steel. The revolutionary steel club armchair, known as the Wassily, remains one of his most well-known designs to date.
In 1935, he joined former Bauhaus director Walter Gropius in England to work on a line of plywood furniture for Isokon and when Gropius took a teaching position at Harvard, Breuer moved to Cambridge and became a professor as well. Together the pair formed an architectural practice and began construction on their own homes and various residential projects around the area. In 1946, Breuer left Harvard to set up office in New York, taking on various commissions including an exhibition house with furnishings for the Museum of Modern Art in 1949. The MoMA project renewed interest in the designer, and Breuer completed several important commissions including the Whitney Museum, IBMs La Gaude Laboratory and the UNESCO headquarters in Paris. Though Breuer preferred to be considered an architect first, the importance of his early furniture designs cannot be denied. He remains one of the most revolutionary and important figures of the 20th Century.
Art itself is something still undefined. As soon as somebody gets down to a seemingly solid definition, somebody else comes up with a new, unknown, different thing, calls it art and gets away with it. Now how can something be taught which has not ever been described?