Hans Coray's Landi chair was first introduced at the 1939 Swiss National Exhibition or Landesausstellung, which was affectionately shortened to Landi. 

Attendees seated on Landi chairs along the bank of Lake Zürich during the 1939 Swiss National Exhibition. © Hans Baumgartner / Fotostiftung Schweiz

The Liliane Stewart Collection

by David A. Hanks, Curator, Stewart Program for Modern Design

Liliane Stewart

The roots of the collection began in 1979, when Montreal philanthropists and collectors Liliane and David Macdonald Stewart founded the Montreal Museum of Decorative Arts and the Stewart Collection. Liliane Stewart, the primary force behind the effort, initially concentrated on mid-century design—a focus unique among North American museums at the time. Over the years, the collecting focus grew to include designs from 1900 to the present. Liliane Stewart’s philosophy was to seek out work by acclaimed international designers while remaining open to work by lesser-known practitioners. Early on, she recognized the importance of relationships with designers, dealers, curators and collectors as sources of information, expertise, and new work. Through her collecting, Liliane Stewart often discovered young designers whose names have since become household words. 

Following David Stewart’s death in 1984, Liliane Stewart continued to collect, amassing a sizeable trove of the world’s finest examples of design, from mass produced, industrial products to unique crafted objects, limited editions and prototypes. Over the years, she developed a collaborative relationship with the Montreal Museum of Fine Arts and in 1991 commissioned Frank Gehry to create dedicated exhibition galleries for the Stewart Collection in the MMFA. In 2000—by which time the Collection numbered more than five thousand objects—she donated it to the MMFA, which termed it “one of the most valuable gifts ever received by a Canadian museum.” 

Liliane Stewart continued to collect after donating her original collection to the MMFA. She founded the Stewart Program for Modern Design, which has acquired more than 600 objects since 2000. Although Liliane Stewart died in 2014, the Stewart Program for Modern Design continues to carry out her mission of using the collection—through exhibitions, publications, and films—to educate the public about design and its role in contemporary society. 

As the Stewart Program collection grew and the collection was refined, it became evident that deaccessioning would be necessary. The process of refining the collection to plan for future projects has led to the present sale at Rago/Wright, which offers important designs from the Stewart Program collection. Included are duplicates of designs in the collection along with sets from which only a single example was retained. Also included in the sale are pieces of modern furniture that were acquired in the 1980s and 90s for use in the original offices of the Montreal Museum of Decorative Arts.

The Art of Giving


Watch an excerpt from the 2012 documentary film The Art of Giving/L’art de donner surrounding Lilane Stewart's extraordinary life as a collector and donor of the arts.

Hans Coray

Hans Coray was born in Zürich in 1906 and studied romance languages, receiving his doctorate in the field in 1929. Coray was also interested in arts and design and established himself the following year as a furniture designer in Zürich. He is most famous for his 1938 Landi chair, an all-aluminum stacking chair that debuted as the official seating for the grounds at the Swiss National Exhibition of 1939. Landi was the first design of Coray’s to be put into production, after he had spent much of the 1930s experimenting with the use of sheet metal and industrial processes of production.

Coray was also associated with the Art Concret movement, founded by Theo van Doesburg in 1930 and continued after his death in 1931 by artists such as Hans Fischli and Max Bill. Art Concret focused on art being universal, anti-impressionistic and without “lyricism, drama, symbolism and so on.” These maxims guided Coray in creating works of collective appeal, functionality and simplicity. In the 1950s, Coray returned to figurative art and passed away in 1991 in his native Zürich.

Auction Results Hans Coray