In 1940, the Museum of Modern Art in New York inaugurated the groundbreaking Organic Design competition to “discover good designers and engage them in the task of creating a better environment for today’s living.” The museum collaborated with several manufacturers and department stores to produce and distribute the winning designs.
Charles Eames and Eero Saarinen submitted collections to two categories – seating for a living room and other furniture for a living room – and won first prize for both for their use of innovative technologies and new manufacturing processes set their works apart. Thee designs dramatically influenced the trajectory of modern furniture design and greatly informed the future careers of both designers.
A design may be called organic when there is a harmonious organization of the parts within the whole, according to structure, material and purpose. Within this definition there can be no vain ornamentation or superfluity, but the part of beauty is none the less great—in ideal choice of material, in visual refinement, and in the rational elegance of things intended for use.
Eliot Noyes
The vast influence of Charles and Ray Eames is immeasurable; Responding to the burgeoning attitudes and landscapes of mid-century America, they created an utterly unique and novel design world, born from their curiosity, industriousness, optimism and humanistic impulses.
In 1940, the Charles and Ray met at Cranbrook Academy of Art, where Charles was collaborating with Eero Saarinen on furniture designs and Ray was studying painting. The two married in 1941 and moved to Los Angeles soon after, establishing their highly influential design firm that, with the help of other talented designers they brought in, would re-shape modern design. Early explorations in plywood and mass-producing sturdy, livable and charming furniture brought them success and allowed them to extend their efforts into more diverse fields such as education, textiles, filmmaking, curating, architecture and industrial design.
The Eames Office operated for over four decades, exerting an enormous influence on modern and contemporary design through their limitless vision of the human spirit. Charles passed away in 1978 and Ray died ten years later to the day. Their contribution to the American ethos continues to inspire and influence contemporary design today.
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American Design
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