Editions & Works on Paper 
8 August 2023
Editions & Works on Paper 
430

Richard Tuttle b.1941

Collection of artist's books and monographs, twenty-eight

1978-2002
mixed media largest: 7⅛ h × 4¾ w × ¼ d in (18 × 12 × 0 cm) smallest: 12 h × 36 w × ⅝ d in (30 × 91 × 2 cm)
estimate: $3,000–5,000
result: $1,512
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Complete Lot Details

List of Drawing Material of Richard Tuttle & Appendices, Richard Tuttle and Publishers, Switzerland, 1979. 361 pages, Softcover. Edition 594/950. Signed and dated to first page 'Richard Tuttle 11-15-02'.

Five by Seven for Yvon Lambert: Nine Works by Richard Tuttle Yvon Lambert, France, 1978. Softcover. Signed and dated to verso 'Richard Tuttle 11-15-02'.

Oxyderood: Red Oxide Richard Tuttle, Museum Boymans-van Beuningen Rotterdam, Rotterdam, 1993. 72 pages, Softcover. Signed and dated to first page 'Richard Tuttle 11-15-02'.

Richard Tuttle: Grey Walls Work, Camden Arts Centre, London, 1996. 56 pages, Softcover. Signed and dated to last page 'Richard Tuttle 11-15-02'.

Richard Tuttle Beth O'Brien, Sdu Publishers, The Hague, Amsterdam, 1991. 203 pages, Hardcover with dustjacket. Signed and dated to title page 'Richard Tuttle 11-12-02'.

Richard Tuttle: Chaos, Die The Form Herausgegeben Von Jochen Poetter, Edition Cantz, Germany, 1993. 174 pages, Hardcover with dustjacket. Signed and dated to first page 'Richard Tuttle 11-15-02'.

Richard Tuttle Susan Harris, Xunta de Galicia, Spain, 2002. Hardcover. Signed, dated, and inscribed to the table of contents 'For Gregory, Susan Harris, David Platzker, Richard Tuttle '02'. Includes eleven loose plates.

Richard Tuttle: Painted Frames for Alma Ruempol, Wabermann Galerie, Munchen, 1995. 16 pages, Softcover. Signed and dated to verso 'Richard Tuttle 11-15-02'.

Richard Tuttle: Community, The Arts Club Chicago, USA, 1999. 36 pages, Softcover. Signed and dated to first page 'Richard Tuttle 11-22-02'.

I Thought I Was Going On A Trip Richard Tuttle, Art Gallery of York University, Canada, 1997. 10 pages, Softcover. Printed in an addition of 500. Numbers one through one hundred signed and numbered by the artist. Signed and dated to last page 'Richard Tuttle 70/100'.

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I make my work for everybody. It’s not for some elite, inside crowd. Whether it takes them 40 years or 70 years to get it, it’s still for everyone. And I think someday, no matter what, it will be accessible to everyone. Call that a belief structure, call it whatever you like, but that’s how I go ahead.

Richard Tuttle

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