For his exhibition at the Public Illumination Picture Gallery in the summer of 1982, artist David Wojnarowicz spray-painted images using stencils directly on to the walls of the gallery. He created a series of work using the same stencils, a selection of which are housed in the permanent collection of the Whitney Museum of American Art where a retrospective of the artist's work will be held later this year.
The walls at the Public Illumination Picture Gallery spray-painted and stenciled by the artist.
David Wojnarowicz 1954–1992
Painter, photographer, writer, filmmaker, performance artist, songwriter/recording artist and AIDS activist David Wojnarowicz’s work was heavily influenced by his difficult childhood and even more traumatic young adulthood. Born in New Jersey, he had an abusive father and as a child struggled not only with the physical and mental effects of that abuse, but also with an emerging sense of his own homosexuality. By the tender age of sixteen he had dropped out of highschool and began working as a street hustler in Times Square. He hitchhiked several times across the United States and lived for short periods in San Francisco and even Paris, all before settling in New York’s East Village in 1978.
Wojnarowicz quickly emerged as an important voice in the East Village avant-garde art scene, drawing upon his personal history and the myriad of stories he absorbed on his travels to create art that challenged viewers and gave voice to individuals stigmatized by society. In 1985, his work was included in the Whitney Biennial and he was soon showing in museums and galleries throughout the United States, Europe, and Latin America. He collaborated with other prolific artists of the time, including Nan Goldin, Kiki Smith, and Peter Hujar, who would become his lover and mentor and remained an important fixture in Wojnarowicz’s life until Hujar’s untimely death in 1987 from AIDS. Hujar’s death, and Wojnarowicz’s own AIDS diagnosis around the same time, moved the artist to create even more starkly political and explicit works, especially in relation to the social and legal injustices of the AIDS epidemic.
The nature of Wojnarowicz’s work–sharply critical of societal norms, the treatment of gay people, the government’s handling of the AIDS crisis, and often containing difficult, violent, or pornographic subject matter–led to his entanglement in public debates about medical research and funding, morality and censorship in the arts, and the legal rights of artists. He died at the age of 37 from AIDS-related complications, but his life and work continue to inspire artists and activists to the present day. His artwork can be found in many public and private collections, including the Museum of Modern Art, New York, and the Whitney Museum of American Art.
Auction Results David Wojnarowicz