“Bach Variations” generally refers to the idea of musical variations, but there are variations on the head of Bach. The same drawing lends itself to interesting differences when its colored in a variety of ways.
Milton Glaser
To Inform and Delight
The Collection of Milton Glaser
For over sixty years, Milton Glaser, one of America’s foremost and influential graphic designers, has made it his business to look at the world closely. From this devotional act of looking has sprung a distinctly American vernacular of design — one that is both reverent of and transgressive toward the historical, celebrates pastiche and intuition over immediate coherence, and is as proudly intellectual as it is raffish. The present collection of over two hundred works, from Glaser's own personal collection, is a visual testament to his limitless range, compassionate curiosity and belief that the field of design is a “philosophical inquiry into the nature of truth, beauty, and reality”.
original art for Dante's Purgatorio
Juilliard (Wing), original art for The Juilliard School poster
Illumination and Bricks, original art for Volunteers in Service of America poster
original art for I Love New York: Spring Flower Festival poster
Glaser considers his career as a graphic designer a “preordained condition”. In 1954, at just twenty-five-years-old, Glaser, along with Seymour Chwast, Reynold Ruffins and Edward Sorel founded Push Pin Studios — a graphic design firm that Glaser said was run “like a bunch of art students trying to change history”. Through their eclectic, boisterous approach to designing album covers, posters, publications and logos, Push Pin inspired a seismic shift away from the exacting and severe “Swiss Precisionism” that had swayed graphic design since the 1930s. The studio was regarded as a beacon for the new modern era of graphic design, so much so that in 1970 they were the first American studio to have an exhibition at the Musée des Arts Decoratifs in Paris. Several early works by Glaser from this era are featured in the auction, including works for the studio’s equally influential monthly magazine, Push Pin Graphic.
Follies Girl, original art for Push Pin Graphics magazine
Flower in Room, original art for Fish in the Sky
New York is About New York, original art for New York magazine
original art for the cover of Great Big Bands and Friends album, Jazzland
That duration between seeing and understanding is always what you play with in communicating ideas.
Milton Glaser
In 1974, Glaser left Push Pin to establish his own studio; in 1977, he would design what is possibly the most recognizable and imitated graphic in the world — the I ♥ NY logo, expressing, in no uncertain terms, his love for the city. Even though he is most known for the sublime simplicity of I ♥ NY, Glaser’s wide scope of work embraces ambiguity, a joyful “lack of coherence” (as he calls it) and, above all, the assertion that art is work. Glaser has designed over 400 posters, identities for cultural institutions, newspapers, restaurants and grocery stores, he co-founded New York magazine in 1968, and has taught at the lauded School of Visual Arts for over fifty years. But at the center of all this work, this copious outpouring of visual forms, riddles and jubilations, is Glaser’s insistence that design is a fundamentally humanistic act that should do no harm, and express “the commonality and continuity of all human experience”. Glaser personally selected this collection to reflect and celebrate his momentous career on the occasion of his 91st birthday.
original art for I Love New York: Long Island Fall Festival poster
original art for Jean-Philippe Rameau's Les Indes Galantes album cover, Columbia Records
Night of the Snow Leopard, original art for New York Zoological Society.
Carmen, original art for San Francisco Opera poster
The deepest role of art is creating an alternative reality, something the world needs desperately at this time. Art is the most benign and fundamental way of creating community that our species has discovered. Mozart and Matisse — children of Eros — make us more human and more generous to one another.
Milton Glaser
Milton Glaser 1929–2020
Milton Glaser was born in 1929 to Hungarian Jewish émigrés living in the South Bronx. From a young age, he sketched and recalls that his “earliest commissions were in grade school, where [he] drew naked women for older boys for a penny a piece”. At twelve-years-old, he began taking formal drawing lessons with the Russian American social realist painter Moses Soyer. Glaser was exposed to social consciousness (an ethos that would come to shape his practice as a designer) from a young age, growing up in communist-leaning cooperative housing in the Bronx and steeped in a progressive, Jewish “attitude toward life, food, music, and intellectual pursuit”.
Auction Results Milton Glaser
Milton Glaser
LaGuardia Vase, original art for Middle College High School at LaGuardia Community College, CUNY 20th Anniversary poster
estimate: $2,000–3,000
result: $8,750
Milton Glaser
New York is About New York, original art for New York magazine
estimate: $3,000–5,000
result: $8,750
Milton Glaser
Mit der 5. Farbe machen Sie den Sprung nach vorn, original art for Druckerei Robert Pütz GmbH poster
estimate: $2,000–3,000
result: $8,125
Milton Glaser
Night of the Snow Leopard, original art for New York Zoological Society.
estimate: $4,000–6,000
result: $8,125
Milton Glaser
Luminous Flowers, Still Life, original art for Olaf Leu Design advertising campaign
estimate: $2,000–3,000
result: $8,125
Milton Glaser
Bach Variations (twelve works), original art for Lincoln Center's Bach Tricentennial poster
estimate: $8,000–10,000
result: $7,500
Milton Glaser
Flower in Room, original art for Fish in the Sky
estimate: $2,000–3,000
result: $7,150
Milton Glaser
original art for I Love New York: Spring Flower Festival poster
estimate: $5,000–7,000
result: $6,250
Milton Glaser
original art for Juilliard School (Ladder) poster
estimate: $6,000–8,000
result: $5,625
Milton Glaser
original art for the cover of Jan Hammer's First Seven Days album, Nemperor Records
estimate: $2,000–3,000
result: $5,313
Milton Glaser
Juilliard (Wing), original art for The Juilliard School poster
estimate: $5,000–7,000
result: $5,200
Milton Glaser
original art for Peace Works, Artists Against the War poster
estimate: $1,500–2,000
result: $5,000
Milton Glaser
original art for the cover of Jean-Philippe Rameau's Les Indes Galantes album, Columbia Records
estimate: $5,000–7,000
result: $5,000
Milton Glaser
original cover art for Tony Kushner's Angels in America Part Two: Perestroika
estimate: $3,000–5,000
result: $4,875
Milton Glaser
Black Nude
estimate: $1,500–2,000
result: $4,688
Milton Glaser
original art for the cover of Kathy Baker's Feel the Heat album, Tomato Records
estimate: $5,000–7,000
result: $4,688
Milton Glaser
original art for the cover of Linda Cohen's Angel Alley album, Tomato Records
estimate: $2,000–3,000
result: $4,063
Milton Glaser
Images of Labor, original art for Smithsonian Institution poster
estimate: $3,000–5,000
result: $4,063
Milton Glaser
Cleopatra, original art for Blue Shadow Publishing poster
estimate: $4,000–6,000
result: $3,750
Milton Glaser
Juilliard (Pianist), original art for the The Juilliard School poster
estimate: $4,000–6,000
result: $3,750
Milton Glaser
original art for Hermann Hesse calendar
estimate: $4,000–6,000
result: $3,750
Milton Glaser
original art for the cover of the Blues Masters: Little Walter and Otis Rush album, Tomato Records
estimate: $4,000–6,000
result: $3,750
Milton Glaser
original cover art for Shakespeare's The Tempest, Penguin Books
estimate: $2,000–3,000
result: $3,750
Milton Glaser
original art for the cover of Maynard Ferguson's Carnival album Columbia Records
estimate: $2,000–3,000
result: $3,750